Ghana’s music industry is buzzing with controversy as a heated copyright dispute erupts between dancehall star Shatta Wale and top producer M.O.G Beatz. The conflict reached a boiling point when M.O.G Beatz pulled two of Shatta Wale’s albums Reign and Wondaboy from Apple Music, citing unpaid royalties and lack of proper credit. According to the producer, Shatta Wale used his beats without finalizing legal agreements or compensating him appropriately, sparking concerns about creative rights and industry ethics.
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M.O.G Beatz claims he was sidelined in the distribution process, with Shatta Wale allegedly profiting from songs created using the producer’s instrumentals without consent or acknowledgment. As tensions rise, the producer has warned that more songs could be removed if the issue remains unresolved. Music industry observers say the situation highlights the dangers of informal deals and the need for robust legal frameworks in Ghana’s growing creative economy.
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In response, Shatta Wale has strongly denied the accusations, claiming he supported M.O.G Beatz financially in the past and accusing him of seeking attention. The back-and-forth between the two artists has dominated headlines and ignited broader conversations around intellectual property rights in Ghana. As fans and artists watch closely, the case could reshape how production credits, royalties, and contracts are handled across the continent.
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